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    <title>Design &apos;N Architecture</title>
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    <id>tag:dna.designarts.net,2009-08-10://3</id>
    <updated>2010-03-26T03:23:13Z</updated>
    <subtitle>Design &apos;N Architecture is the official blog of Design Arts Seminars, Inc. </subtitle>
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<entry>
    <title>5 Steps to Attract More Clients</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/03/5-steps-to-attract-more-clients.html" />
    <id>tag:dna.designarts.net,2010://3.56</id>

    <published>2010-03-25T16:43:34Z</published>
    <updated>2010-03-26T03:23:13Z</updated>

    <summary><![CDATA[&nbsp; As mentioned in an earlier tweet, I (and 400 others) attended a conference call with Nika Stewart and Sydni Craig-Hart. During the hour-long call, the two successful businesswomen outlined five steps design professionals should take to attract more clients. Here we go (my favorite is under # 4 but you need to implement all 5 to reap the benefits of the synergy): 1) Discover Your True Value What do you bring to the table? What sets you apart? What is your expertise? What is your niche market? Who do you serve? Who is your ideal client? I suggest jotting...]]></summary>
    <author>
        <name>Micène Fontaine, Director</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=21</uri>
    </author>
    
        <category term="Marketing / PR" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="rethink" label="re:think" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<p>&nbsp; 
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<div style="TEXT-ALIGN: left" class="mt-enclosure mt-enclosure-image" mt:asset-id="161" inline? DISPLAY:><a title="" href="" rel="lightbox"><img style="MARGIN: 0px 20px 20px 0px; FLOAT: left" class="mt-image-left" alt="shopping.jpg" src="http://dna.designarts.net/shopping.jpg" width="300" /></a></div>
<p class="mt-enclosure mt-enclosure-image" mt:asset-id="161" inline? DISPLAY:></span>As mentioned in an earlier tweet, I (and 400 others) attended a conference call with <a href="http://bit.ly/dfYP1q">Nika Stewart</a> and <a href="http://bit.ly/be6gUL">Sydni Craig-Hart</a>. During the hour-long call, the two successful businesswomen outlined five steps design professionals should take to attract more clients. <br /><br />Here we go (<strong>my favorite is under # 4</strong> but you need to implement all 5 to reap the benefits of the synergy): <br /><br /><strong><u>1) Discover Your True Value</u></strong> 
<div class="mt-enclosure mt-enclosure-image" mt:asset-id="161" inline? DISPLAY:>
<ul>
<li>What do you bring to the table? What sets you apart? 
<li>What is your expertise? What is your niche market? 
<li>Who do you serve? Who is your ideal client?</li></ul></div>
<p>I suggest jotting down answers to these questions on a piece on paper. Don't over think it. The tricky part here is that it is a bit counterintuitive, you might think that the more you include the better. Well, no. The more you zoom in on what you are best at, the better. Think of it as doing a search on Google. If you type "Continuing Education", you will end up with results for any and all type of continuing education services, most of which will not be a good match for you. On the other hand, if you searched for "accredited continuing education seminars for interior designers", you will get a lot less results but they will be much more pertinent. Same goes for your clients. <br /><br /><strong><u>2) Communicate Your Unique Brand</u></strong></p>
<p>Once you have completed item 1 above, you need to phrase it out so you can communicate on it while in the elevator or while at networking event. Think of it as a marketing "speed dating" of sorts. <br />Sydni suggested answering two questions in one brief sentence: </p>
<ul>
<li>What do you do? 
<li>Who do you do it for?</li></ul>
<p><em>Example 1:</em> I am an interior designer working on commercial, residential, hospitality and healthcare projects. (a no-no) <br /><em>Example 2:</em> I help busy parents create the eco-friendly master bedroom suite retreat they need. (Yes, much better)<br /><br />If I were a busy parent (your ideal client) and you introduced yourself to me as in example 2, I would identify with your offer and probably want to continue a conversation with you or I might check out your website or blog for ideas and possibly hire you. On the other hand, if you introduced yourself to me as in example 1, I may not connect the dots (I don't see myself as a residential or commercial project) so I may not realize that you could help me solve the need I have for a "get away" in my own home. Other example (see pic below), if you don't want to be just one more "take out" restaurant.... you could target busy professionals who want a nutritionally-balanced, home-cooked meal and offer what designer Heewon Yoon created with the <a href="http://www.yankodesign.com/2010/03/24/zip-bob-home-cooking-options-by-heewon-yoon">BOB system</a>:&nbsp;Clients order their meals for the week online and receive recipe cards along with all the ingredients and a talking timer (all color coded per day). This is a business with a very clear target and very unique proposition. Something to think about!</p>
<p><strong><u>
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"></p>
<div style="TEXT-ALIGN: center"><a title="" href="" rel="lightbox"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 20px; DISPLAY: block" class="mt-image-center" alt="zip_bob2.jpg" src="http://dna.designarts.net/zip_bob2.jpg" width="500" /></a></div>
<p></span>3) Create Irresistible Marketing Material<br /></u></strong>Beyond stating the obvious (having a polished, clean and professional business card, website, letterhead, note cards and envelopes created) Sydni recommended: </p>
<ul>
<li>Creating "structured packages" that fits your prospects' needs and outline the value, benefits and price. 
<li>Showcase your work on your website or blog. "Tell a story" as Sydni puts it. I think she is right on. We are now in what is referred to as the "experience economy". Part of what you deliver is an "experience". The magic starts with you then carries throughout your office, your website, portfolio, blog, etc. 
<li>Use audio and video testimonials. It has never been easier to record snippet of conversation or record short video clips. It's so much more engaging. Not sure how, ask someone who does. You will be surprised how easy it is! Not ready for that, take pictures!</li></ul>I wanted to add a tip of my own, if you need the polished business cards, etc. Do your self a favor and visit crowdsrpring.com and post your project there. You will be amazed the number of talented graphic designers on that website. <br /><br /><strong><u>4) Create&nbsp;a Marketing Plan<br /></u></strong>
<ul>
<li>Set clear goals 
<li>Create the plan 
<li>Work the plan to consistently and effectively market your business 
<li><strong>Here is my favorite: Partner with local businesses that offer services that complements (not competes with) yours.</strong> For instance, a professional organizer, a high-end real estate agent, a lawn maintenance service, why not private chefs, CPAs, etc. The idea is that each professional in the "partnership" becomes a resource for their clients, who turn into leads for your business. Say a professional organizer hears her client complain about her kitchen. She might suggest contacting you for her interior design needs. You may get the job and the client might suggest she is re-doing the kitchen because they plan on selling soon. You may suggest the real estate agent in the "partnership". You get the idea. This costs nothing to any of the "trusted" partners. There is no sales pitch involved, it is just dropping the right name at the right time. It is something you probably already do, why not formalize the process and benefit from it! I have been wondering who we could partner with...</li></ul><br /><strong><u>5) Adjust Your Mindset<br /></u></strong>All the strategies and tools in the world won't help you unless you "break through your fears" as Sydni puts it. I loved the acronym she mentioned: FEAR stands for "False Expectations Appearing Real" . Bottom line: 
<ul>
<li>We all have fears, often unfounded 
<li>Take "can't" out of your vocabulary. 
<li>Why can't you anyway? 
<li>Create a support system: work with a coach or with like-minded people. </li></ul>
<p><br /><strong><em>The Po!nt:</em></strong> In their ""emergency intervention call", Sydni and Nika articulated 5 ideas they guaranteed would help your business grow. Admittedly, "nothing new" but they made some very valid points. These are very actionable tips, read them, decide which to tackle first (or revisit if it is something you already do), come up with a plan for all 5 items and stick to it. Need more marketing inspiration, check out our <a href="http://bit.ly/b5LBeA">own marketing tips on our DNA blog </a>and post your questions. You may also want to&nbsp;visit <a href="http://bit.ly/dfYP1q">Nika's </a>and <a href="http://bit.ly/be6gUL">Sydni's </a>websites. They also run a <a href="http://bit.ly/dsDu2v">virtual marketing "boot camp" for design professionals</a> that you might want to look into (not sure what it is worth to you but it costs $297. <strong>FYI, Design Arts Seminars, Inc. is not affiliated with and does not benefit from the bootcamp Sydni and Nika run</strong>.). </p>
<p>Don't be shy, we would love hear from you! Post your questions or comments. <br /><br /></p>
<p></p>]]>
        
    </content>
</entry>

<entry>
    <title>Beyond function to art</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/03/beyond-function-to-art.html" />
    <id>tag:dna.designarts.net,2010://3.55</id>

    <published>2010-03-20T02:09:24Z</published>
    <updated>2010-03-23T00:20:26Z</updated>

    <summary><![CDATA[What should a chair or sconce look like?&nbsp; Should its use be obvious or something to decipher and discover? &nbsp; Today, I want to write about furniture and lighting that interact with and enliven their surroundings.&nbsp; &nbsp;I'm talking about design that goes beyond function to become art, objects that have a distinctive personality and point of view.&nbsp;&nbsp; They evoke humor and emotion; they offer innovation without over-complication. Scott Burton, who died in 1989 at the age of 50, is best known for creating public sculpture that walks a fine line between art and furniture.&nbsp; Purchased by museums, corporations and collectors,...]]></summary>
    <author>
        <name>Ira Tattelman, AIA, LEED AP</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=29</uri>
    </author>
    
        <category term="ARTworks" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="artworks" label="ARTworks" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="functionalart" label="Functional Art" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">What should a chair or sconce look like?&nbsp; Should its use be obvious or something to decipher and discover?</span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><o:p></o:p></span></font>&nbsp;</p><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image">
<div style="TEXT-ALIGN: center"><a title="" href="http://dna.designarts.net/assets_c/2010/03/Scott Burton2-thumb-800xauto-159.jpg" rel="lightbox"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 20px; DISPLAY: block" class="mt-image-center" alt="Scott Burton" src="http://dna.designarts.net/Scott%20Burton2.jpg" width="300" /></a></div>
<p class="MsoNormal"></span>Today, I want to write about furniture and lighting that interact with and enliven their surroundings.&nbsp; &nbsp;I'm talking about design that goes beyond function to become art, objects that have a distinctive personality and point of view.&nbsp;&nbsp; They evoke humor and emotion; they offer innovation without over-complication.<o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><a href="http://www.moma.org/collection/browse_results.php?object_id=80883">Scott Burton</a>, who died in 1989 at the age of 50, is best known for creating public sculpture that walks a fine line between art and furniture.&nbsp; Purchased by museums, corporations and collectors, these sculptures offer places to sit, to engage in social exchange.&nbsp; Yet, these benches and chairs are made not of soft wood but cold and hard steel, marble, granite or aluminum.&nbsp; They cross from simple design into contemporary art.<o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><a href="http://www.ingo-maurer.com">Ingo Maurer</a>, born in 1932, is many things - artist, designer, entrepreneur, manufacturer, and innovator.&nbsp; He creates light fixtures that are functional but also playful, active and odd.&nbsp; They raise questions about color, brightness and luminosity.&nbsp; They use unexpected materials such as paper, feathers and found objects to create simple, well-executed works that are beautiful, unique and useful.&nbsp; They bring art world aesthetics into a tradition of utility.&nbsp; <o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Their achievements are celebrated, dissolving the boundaries between fine art and decorative arts.&nbsp; Aware of 20<sup>th</sup> century art movements, from surrealism to minimalism, they understand that art is integrated into the experience of space and that innovation can be about simplification as well as complexity.&nbsp; Clarity of thought and coherent choices are important along with an understanding about balancing purpose and whimsy.<o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">There are several other artists and designers who enhance the user's experience by being both provocative and fun.&nbsp; They realize that art is not separate from everyday life; in bringing sculpture to function, some emphasize the relationships between parts, some exaggerate scale and some reduce objects to their essence.<o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Here are some names and sites to look at for ideas and inspiration:<o:p></o:p></span></font></p>
<ul>
<li>
<div class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><a href="http://www.noguchi.org/furniture.html">Isamu Noguchi</a>&nbsp; </span></font></div></li>
<div>
<li><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><a href="http://www.nakashimawoodworker.com">George Nakashima</a>&nbsp; </span></font></li></div></li>
<li>
<div class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><a href="http://www.elizabethdeegallery.com/artists/view/virgil-marti">Virgil Marti</a>&nbsp; </span></font></div></li>
<li>
<div class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><a href="http://www.katzhq.com">Latvian based Stanislav Katz and Dmitry Holomyov</a>&nbsp;&nbsp; <o:p></o:p></span></font></div></li>
<li>
<div class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><a href="http://www.batteryparkcity.org/pdf/BPCA_Public_Art_Brochure.pdf">Battery Park City projects such as Sitting/Stance, 1988 by Richard Artschwager and The Upper Room, 1987 by Ned Smyth</a>&nbsp; </span></font></div></li></ul>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"></span></font>&nbsp;</p>]]>
        
    </content>
</entry>

<entry>
    <title>How to Build a Green Home</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/03/how-to-build-a-green-home.html" />
    <id>tag:dna.designarts.net,2010://3.52</id>

    <published>2010-03-12T21:35:51Z</published>
    <updated>2010-03-15T20:00:32Z</updated>

    <summary>If you are looking to build or remodel a home that is more energy efficient, healthier, and uses more renewable and recycled materials, then build it &quot;green.&quot; Green homes are environmentally friendly and cheaper to operate. There are many resources and organizations that focus on green building and give consumers tips. The U.S. Green Building Council (www.usgbc.org) is the nation&apos;s foremost coalition of leaders from across the building industry working to promote buildings that are environmentally responsible, profitable, and healthy places to live and work. This non-profit organization has the LEED for Homes program in place to certify homes based...</summary>
    <author>
        <name>Rosemarie Rossetti, Ph.D.</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=32</uri>
    </author>
    
        <category term="Accessible Design" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Designing Sustainable Homes That Make Life Easier" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Sustainable Design" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="accessibility" label="accessibility" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sustainabledesign" label="sustainable design" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<p class="MsoNormal">If you are looking to build or remodel a home that is more energy efficient, healthier, and uses more renewable and recycled materials, then build it "green." Green homes are environmentally friendly and cheaper to operate. There are many resources and organizations that focus on green building and give consumers tips.<br />
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"></p>
<div style="TEXT-ALIGN: center"><a title="" href="" rel="lightbox"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 20px; DISPLAY: block" class="mt-image-center" alt="Universal-Design-Living-Laboratory.jpg" src="http://dna.designarts.net/Universal-Design-Living-Laboratory.jpg" width="300" /></a></div>
<p class="MsoNormal"></span>The U.S. Green Building Council (www.usgbc.org) is the nation's foremost coalition of leaders from across the building industry working to promote buildings that are environmentally responsible, profitable, and healthy places to live and work. This non-profit organization has the LEED for Homes program in place to certify homes based on their Leadership in Energy and Environmental Design (LEED) certification program. It is a voluntary initiative promoting the transformation of the mainstream home building industry towards more sustainable practices. There are four certification levels or "shades of green" including: platinum, gold, silver and certified.<br /><br />Green is an approach to building homes that conserve natural resources and highlight environmental quality. Green homes are healthier in terms of air and water quality. The products used to build these homes emit fewer health endangering gases or volatile organic compounds. These gases are often produced from paints, stains, carpeting, wall paper, flooring adhesives, plywood, solvents, and synthetic fabrics.<br /><br />A house is green if it is built and furnished with recycled or renewable resources. For example there are many hardwood floors that are green options to consider. Bamboo is one alternative. It is not really a wood, but rather a fast growing grass with a seven-year growth cycle and is harder than maple or oak. Eucalyptus is another hard and durable wood grown in sustainable forests. It is harder than cherry or pine.<br /><br />One "green" recycled-fiber carpet choice is made of polyester fiber recovered from plastic soda bottles. This plastic is often called PET, short for polyethylene terephthalate. Wool carpets are also considered "green" and have been around for a long time, tend to be pricy, but last a long time and are stain resistant. <br /><br /><b>Energy-Efficient Homes</b><br />Green homes use less energy and some of them incorporate alternative energy systems like geothermal, photovoltaic cells, and wind mills. These homes also take advantage of the construction site and place many windows on the south portion of the home to take advantage of the heat of the sun. This passive solar approach saves on heating costs. Landscape design includes the installation of shade trees to help in cooling the home. Large overhangs on the south facing side of the house also helps shade the windows. <br /><br />Energy consumption is further reduced by wall and ceiling insulation improvements. A guide for insulation is a rating of R-13 for walls, ceiling, and roof in the southern states and R-19 for walls and R-38 for ceilings and roofs in the northern states. Some insulation products that are green include: recycled cotton, soy-based foam, wool, and recycled newsprint (cellulose).<br /><br />Another way to save on heating and cooling bills is to install multiple pane windows Low-E II insulating glass with argon gas. The argon gas-filled space between the panes of glass offers insulation against the transfer of heat. A coating on the glass significantly blocks the sun's ultraviolet rays.<br /><br />Dark colors absorb the heat of the sun, therefore to keep a home cooler, select lighter colored roofing and exterior wall colors. Green roofing materials will contain less asphalt and have products embedded to reduce the growth of mold.<br />Another way to save energy is in your choice of appliances. When choosing large appliances, look for those that are ENERGY STAR rated. They save in water consumption and energy costs. <br />As you consider your options for lighting your home, consider integrating natural light as much as possible by installing windows, skylights, sun tunnels, glass block, and dormers. Sunlight can provide the task lighting you need for many hours in a day, saving you the need to turn on an electric light. For night time use and on cloudy days, supplemental lighting is needed. When selecting light fixtures, include LED and halogen light bulbs to save electricity. <br /><br /><b>Green is an Easy Choice</b><br />Buyers of building products are concerned about protecting the environment, living in healthier homes, and saving money through lower water, electricity and gas bills. Green products are more prevalent than in the past, and are highlighted in manufacturers' marketing materials. Price points for green products do not always have a higher price tag associated with them. In the long run, building green is a better way to build.<br /><br /><b style="mso-bidi-font-weight: normal"><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">THE PO!NT (by Micène R. Fontaine, Director):</span></i></b><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"> <b>Even though there are heated discussions on the issue of climate change itself, I think we all see the benefits of a cleaner planet for generations to come</b>: If your "green" inner self is ready to take over but need help getting started and navigating the maze of "green" certifications and the myriad "green" claims, then here are a couple of pointers that will get you going:</span><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><b><br /></p></b></span>
<ol>
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><b>Learn:</b> Join Design Arts' <a href="http://info.designarts.net/Designing-Sustainable-Homes/?utm_campaign=Blog">"Designing Sustainable Homes That Make Life Easier" continuing education seminar</a> to learn what it takes to develop universal and sustainable homes from the basics to insider practical tips to the newest products. </span>
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><b>Source:</b> Rosemarie Rosstti is the catalyst behind the Universal Design Living Laboratory, a national demonstration home. Manufacturers who contributed to this project are a wonderful place to start for <a href="http://bit.ly/c2lCDY">accessible and sustainable sourcing ideas</a>. <a href="http://greenhomeguide.com/">The U.S. Green Building Council's Green Home Guide</a> is wonderful resource. </span>
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><strong>Catch Up:&nbsp;</strong>Not sure what LEED is all about? We've got you covered with our <a href="http://info.designarts.net/understanding-leed">free LEED Rating System and Project Certification 101</a> (download, pdf format)</span></li></ol>
<p>&nbsp;</p>
<p>&nbsp;</p>
<ol><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"></ol>
<p><br />&nbsp;</p></span>]]>
        
    </content>
</entry>

<entry>
    <title>ART: MORE THAN MEETS THE EYE</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/03/art-more-than-meets-the-eye.html" />
    <id>tag:dna.designarts.net,2010://3.51</id>

    <published>2010-03-12T20:37:31Z</published>
    <updated>2010-03-12T21:12:02Z</updated>

    <summary> Studies after studies have highlighted the benefits of art in interiors but for Lisa Bayne, CEO of The Guild/Artful Home, Art is what she found in her dream work environment during a visit to the Level Playing Field Institute in San Francisco. &quot;Wherever you turn within LPFI&apos;s offices&quot;, Lisa recalls, &quot;there is art, all of it extremely tactile. At the entry gathering spot, rather than a traditional corporate coffee table, the founders have placed a Josh Urso &quot;Knoop Table&quot;, letting you know immediately that this is no cookie-cutter sterile office experience.&quot; So why don&apos;t more companies share Lisa&apos;s vision...</summary>
    <author>
        <name>Micène Fontaine, Director</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=21</uri>
    </author>
    
        <category term="ARTworks" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="artworks" label="ARTworks" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"> 
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image">
<div style="TEXT-ALIGN: center"><a title="Popdog by Mitch Levin and Susie Levin" href="" rel="lightbox"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 20px; DISPLAY: block" class="mt-image-center" alt="Popdog-Mitch-Levin-Susie-Levin.jpg" src="http://dna.designarts.net/Popdog-Mitch-Levin-Susie-Levin.jpg" width="300" height="178" /></a></div>
<p class="MsoNormal"></span>Studies after studies have highlighted the benefits of art in interiors but for Lisa Bayne, CEO of The Guild/Artful Home, Art is what she found in her dream work environment during a visit to the Level Playing Field Institute in San Francisco. "Wherever you turn within LPFI's offices", Lisa recalls, "there is art, all of it extremely tactile. At the entry gathering spot, rather than a traditional corporate coffee table, the founders have placed a Josh Urso "Knoop Table", letting you know immediately that this is no cookie-cutter sterile office experience."</span></p>
<p class="MsoNormal"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">So why don't more companies share Lisa's vision of art in the workplace? As Lisa points<span style="mso-spacerun: yes"> </span>out: "Most of us spend more of our waking time in our offices than in our homes, and the benefits to the soul of being surrounded by art most certainly have productivity benefits to the workspace."<br /><br />So, what can you do?<br /><br /><b>Bring in an art consultant</b>: According to Lisa, there are benefits to working with art consultant: </span></p>
<ul>
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Will work with you to select and place art. </span>
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Represent the interests of the art buyer. </span>
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Normally not affiliated with specific galleries or institutions.</span> 
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Compensated through a percentage of the art-acquisition budget.</span><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"></span><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"></span> <span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"></span></li></ul><br /><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Lisa further advises that art consultants can help with projects of any size and any medium. </span><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"></span><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Their skills and experience are particularly helpful in these circumstances:</span> 
<ul>
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">When artwork is integral to the structure of the home, as with custom kitchen tile or a wrought iron balcony railing.</span> 
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">When coordination is needed between the artist and other design professionals</span> 
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">When installation is complicated, as with heavy atrium sculpture or custom millwork.</span> 
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">When art from several sources must coordinate, both functionally and aesthetically."</span><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"></span> </li></ul>
<p><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><b>Location, location, location.... </b>If sourcing is all you need, The Guild/Artful Home is a wonderful place to start. With access to thousands of North America's finest artists, already juried and vetted, for immediately available one-of-a-kind and<span style="mso-spacerun: yes">&nbsp; </span>production work in all media, as well as custom<span style="mso-spacerun: yes"> </span>and commission artwork, with all details handled by their experienced in-house art advisors. Visit artful home's website for details regarding <a href="http://bit.ly/aLsS6p">The Guild's Design Professional Program</a>. </span></p>
<p><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"></span>&nbsp;</p><b style="mso-bidi-font-weight: normal"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image">
<div style="TEXT-ALIGN: left"><a title="Knoop by Josh Urso" href="" rel="lightbox"><em></em></a></div>
<p style="mso-layout-grid-align: none" class="MsoNormal"></span></span></b><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><b>
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"></p>
<div style="TEXT-ALIGN: center"><a title="Knoop by Josh Urso" href="" rel="lightbox"><em><img style="TEXT-ALIGN: center; MARGIN: 0px auto 20px; DISPLAY: block" class="mt-image-center" alt="Knoop-Josh-Urso.jpg" src="http://dna.designarts.net/Knoop-Josh-Urso.jpg" width="300" height="211" /></em></a></div>
<p style="mso-layout-grid-align: none" class="MsoNormal"></span><em><strong>THE PO!NT: </strong>When it comes to art, there is more than meets the eye. If you like the idea of weaving more art into your project, here are a couple of resources to help you achieve that: </em></span>
<ol>
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><em><b>Learn:</b> Join Design Arts' </em><a href="http://bit.ly/DesignArts_163"><em>ARTworks continuing education seminar</em></a><em> as we unravel the ambiguous aspects of specifying Art and demonstrate how your practice and clients can benefit from the Art you incorporate in your projects. </em></span>
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><em><b>Source:</b> </em><a href="http://bit.ly/aLsS6p"><em>The Guild's Design Professional Program</em></a><em>.</em></span><em> </em>
<li><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt"><em><b>Keep Up:</b> artprice.com just published a </em><a href="http://imgpublic.artprice.com/pdf/trends2009_en.pdf"><em>report on the latest art market trends</em></a></span><em> </em></li></ol></b>]]>
        
    </content>
</entry>

<entry>
    <title>ART to walk on, listen to, touch</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/03/art-to-walk-on-listen-to-touch.html" />
    <id>tag:dna.designarts.net,2010://3.50</id>

    <published>2010-03-07T15:46:22Z</published>
    <updated>2010-03-07T16:13:19Z</updated>

    <summary><![CDATA[ In the art world, museums are trying to change the game by hiring new directors.&nbsp; Jeffrey Deitch, a New York art dealer, has been hired to lead the Museum of Contemporary Art in Los Angeles.&nbsp; At the Cooper-Hewitt National Design Museum in New York, they hired Bill Mosgridge, a design practitioner, industrial designer and businessman.&nbsp; These museums are trying to shake things up. The simple act of turning a developer owned condo into a gallery for one night is gaining popularity, bringing creative types into contact with those looking to buy a place.&nbsp; Developers get foot traffic while artists...]]></summary>
    <author>
        <name>Ira Tattelman, AIA, LEED AP</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=29</uri>
    </author>
    
        <category term="ARTworks" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="artworks" label="ARTworks" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<meta id="MetaDescription" name="description" content="ART to walk on, listen to, touch"><meta id="MetaKeywords" name="keywords" content="ARTworks, Design Arts Seminars"><meta id="MetaCopyright" name="copyright" content="Copyright (c) 2010 by Design Arts Seminars, Inc. "><meta id="MetaGenerator" name="generator" content="Design Arts Seminars, Inc."><meta id="MetaAuthor" name="Ira Tattelman, AIA, LEEP AP">
<object width="148" height="180"><embed height="180" type="application/x-shockwave-flash" width="148" src="http://www.youtube.com/v/As8oP21tUPg&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x3a3a3a&amp;color2=0x999999" allowscriptaccess="always" allowfullscreen="true"></embed></object>
<p class="MsoNormal" align="left"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">In the art world, museums are trying to change the game by hiring new directors.&nbsp; Jeffrey Deitch, a <st1:State w:st="on">New York</st1:State> art dealer, has been hired to lead the <st1:PlaceType w:st="on">Museum</st1:PlaceType> of <st1:PlaceName w:st="on">Contemporary Art</st1:PlaceName> in <st1:place w:st="on"><st1:City w:st="on">Los Angeles</st1:City></st1:place>.&nbsp; At the <st1:PlaceName w:st="on">Cooper-Hewitt</st1:PlaceName> <st1:PlaceName w:st="on">National</st1:PlaceName> <st1:PlaceName w:st="on">Design</st1:PlaceName> <st1:PlaceType w:st="on">Museum</st1:PlaceType> in <st1:place w:st="on"><st1:State w:st="on">New York</st1:State></st1:place>, they hired Bill Mosgridge, a design practitioner, industrial designer and businessman.&nbsp; These museums are trying to shake things up.<o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">The simple act of turning a developer owned condo into a gallery for one night is gaining popularity, bringing creative types into contact with those looking to buy a place.&nbsp; Developers get foot traffic while artists get exposure.&nbsp; In this age of empty storefronts, several owners and local communities are giving over space to artists, giving residents and visitors access to and engagement with culture and history.&nbsp; Everyone agrees that this kind of activity is better than no activity.<o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">In the Artworks seminar, we talk about projects that cross boundaries.&nbsp; Computers and digitization are changing the way we look at art.&nbsp; With flat screen TV's on the wall and digital frames on the shelf, everyone is getting used to imagery that shifts and changes.&nbsp; Our eyes are adjusting to motion rather than status.&nbsp; <o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Computer users can now sit at their desk and see the artwork that museums house. &nbsp;People use their mice to create their own museum installation, pulling pieces into a virtual gallery.&nbsp; What is the role of architecture to art when the art image is now accessible 24/7 any place where electronic data can be received?<o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Art engages the world around it and takes place in many different ways, at many different levels.&nbsp; In the seminar, we discuss interactivity and art - artwork to be walked on, listened to, watched or touched.&nbsp; Artwork can light a passageway or obstruct a common path of travel.&nbsp; It is important not to limit your thoughts about art or to be discouraged that you won't find an artist who will meet the spirit of your project.&nbsp; <o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">There are artists who want to change the world and play a socially significant role.&nbsp; There are artists who act as the anti-establishment figure or as engaged citizen.&nbsp; Some artists view their role as outsider rebel or as guardian of society.&nbsp; Some just want to encourage humor and comfort.&nbsp; Some are business people, some are practitioners.&nbsp; We all play a role in allowing new visions and passions to develop.&nbsp; We owe it to ourselves to participate in these new practices.<o:p></o:p></span></font></p>
<p class="MsoNormal"><font size="2" face="Arial"><span style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">One artist to watch is <a href="" Leo??>http://www.nga.gov/exhibitions/villarealinfo.shtm"&gt;Leo Vallareal.</a> Below is a video of his computer generated installation, Multiverse, now part of the permanent collection at the National Gallery of Art in <st1:place w:st="on"><st1:City w:st="on">Washington</st1:City>, <st1:State w:st="on">DC</st1:State></st1:place>.&nbsp; </span></font></p><object width="320" height="265"><embed height="265" type="application/x-shockwave-flash" width="320" src="http://www.youtube.com/v/R9VmHANh8-w&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x3a3a3a&amp;color2=0x999999" allowfullscreen="true" allowscriptaccess="always"></embed></object>]]>
        
    </content>
</entry>

<entry>
    <title>Art &amp; Residential Architecture</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/02/art-and-residential-architecture.html" />
    <id>tag:dna.designarts.net,2010://3.47</id>

    <published>2010-02-19T21:10:30Z</published>
    <updated>2010-03-07T16:14:03Z</updated>

    <summary><![CDATA[ This post on art and residential architecture starts with an example about accessibility.&nbsp; Over ten years ago, Dutch architect Rem Koolhaas (Office for Metropolitan Architecture)designed a house in France for a client who was confined to a wheelchair.&nbsp; The three story house has an elevator platform, 10' x 10.75', that moves freely between the floors.&nbsp; The 'room', with its permanent wall of shelves, travels up and down through the house transforming the architecture of the house, becoming part of the kitchen, living space or enclosed as an office.&nbsp; &nbsp; Thinking about rooms as elevators or even rooms on tracks...]]></summary>
    <author>
        <name>Ira Tattelman, AIA, LEED AP</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=29</uri>
    </author>
    
        <category term="ARTworks" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="accessibility" label="accessibility" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="artworks" label="ARTworks" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="residentialdesign" label="residential design" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<meta id="MetaDescription" name="description" content="ART to walk on, listen to, touch"><meta id="MetaKeywords" name="keywords" content="ARTworks, Design Arts Seminars"><meta id="MetaCopyright" name="copyright" content="Copyright (c) 2010 by Design Arts Seminars, Inc. "><meta id="MetaGenerator" name="generator" content="Design Arts Seminars, Inc."><meta id="MetaAuthor" name="Ira Tattelman, AIA, LEEP AP"><div style="TEXT-ALIGN: left">
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image">
<div style="TEXT-ALIGN: center"><a title="Project: Maison à Bordeaux, Office for Metropolitan Architecture (www.oma.com)&#10;Photo © Hans Werlemann (Hectic Pictures) " href="http://dna.designarts.net/assets_c/2010/02/Bordeaux-thumb-800xauto-150.jpg" rel="lightbox"><img style="MARGIN: 0px 20px 20px 0px; FLOAT: left" class="mt-image-left" alt="Bordeaux.jpg" src="http://dna.designarts.net/assets_c/2010/02/Bordeaux-thumb-300x203-150.jpg" width="300" height="203" /></a></div></span>This post on art and residential architecture starts with an example about accessibility.&nbsp; Over ten years ago, Dutch architect Rem Koolhaas (<a href="http://www.oma.com">Office for Metropolitan Architecture</a>)designed a house in France for a client who was confined to a wheelchair.&nbsp; The three story house has an elevator platform, 10' x 10.75', that moves freely between the floors.&nbsp; The 'room', with its permanent wall of shelves, travels up and down through the house transforming the architecture of the house, becoming part of the kitchen, living space or enclosed as an office.&nbsp; </div>
<p>&nbsp;</p>
<p>Thinking about rooms as elevators or even rooms on tracks that travel from one part of the house to another, how does one deal with artwork and furnishings?&nbsp; Does each space the room enters have individual works of art or does the moving room contain the art?&nbsp; It is not unusual to walk through a museum and see one panel from a triptych.&nbsp; Occasionally museums work together to bring the three unique panels back together to once again see the artwork as a whole.&nbsp; They can certainly stand alone but they are most often stronger and richer when the pieces are brought back together and displayed as originally intended.&nbsp;&nbsp; Perhaps the arrival of the platform completes an art piece?&nbsp;&nbsp; </p>
<p>Art can be interactive with design; it can act as a bridge from one style to another.&nbsp; A piece of art is often the first thing that can be seen from an adjoining room or hall.&nbsp; It offers a glimpse or preview into what might be in store for the visitor.&nbsp; A collection can be spread from one room to another so that one only understands the full collection after having been through the entire home.&nbsp; </p>
<p>Just as issues of accessibility can bring a fresh outlook to design, art can be the inspiration for design.&nbsp; The artwork chosen, the way it is displayed, they way it can connect spaces helps create an environment that is unique and memorable.&nbsp; Accessibility is a reality, an influential component in generating design ideas.&nbsp; Art can also be contributing force.&nbsp; There is an interconnectedness of art to the design process; imagination and integration are the keys to a successful project. 
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"></p>
<div style="TEXT-ALIGN: center"><a title="Project: Maison à Bordeaux, Office for Metropolitan Architecture (www.oma.com)&#10;Photo © Hans Werlemann (Hectic Pictures) " href="http://dna.designarts.net/assets_c/2010/02/Bordeaux2-thumb-800xauto-153.jpg" rel="lightbox"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 20px; DISPLAY: block" class="mt-image-center" alt="Bordeaux2.jpg" src="http://dna.designarts.net/assets_c/2010/02/Bordeaux2-thumb-300x304-153.jpg" width="300" height="304" /></a></div>
<p></span><br /></p>]]>
        
    </content>
</entry>

<entry>
    <title>Deliver on your promise </title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/02/deliver-on-your-promise.html" />
    <id>tag:dna.designarts.net,2010://3.41</id>

    <published>2010-02-12T13:00:00Z</published>
    <updated>2010-01-15T17:47:01Z</updated>

    <summary><![CDATA["It is an immutable law in business that words are words, explanations are explanations, promises are promises but only performance is reality."~American Businessman Harold S. Geneen Throughout this entire series, I've been speaking about "business promises." While it's important to have a "promise" to build your business on, the vital thing is to deliver on that promise.&nbsp; This alone is what the customer will remember. As a close to this series, I felt it best to conclude with a short list of statements/questions that you should keep top-of-mind:•&nbsp;NO AMOUNT OF MARKETING CAN OVERCOME CONTINUAL POOR COMPANY PERFORMANCE.&nbsp;&nbsp;&nbsp; •&nbsp;If you promise...]]></summary>
    <author>
        <name>Dr. Tait Martin</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=28</uri>
    </author>
    
        <category term="Marketing / PR" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="rethink" label="re:think" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<p><strong>"It is an immutable law in business that words are words, explanations are explanations, promises are promises but only performance is reality."<br /></strong>~American Businessman Harold S. Geneen </p>
<p><br />Throughout this entire series, I've been speaking about "business promises." While it's important to have a "promise" to build your business on, the vital thing is to deliver on that promise.&nbsp; This alone is what the customer will remember.</p>
<p>As a close to this series, I felt it best to conclude with a short list of statements/questions that you should keep top-of-mind:<br />•&nbsp;NO AMOUNT OF MARKETING CAN OVERCOME CONTINUAL POOR COMPANY PERFORMANCE.&nbsp;&nbsp;&nbsp; <br />•&nbsp;If you promise something as an organization, you better deliver. Beware of using statements like "the best", "the cheapest", "the most innovative" and "cutting-edge" when describing your business. If you say it, people will expect it.<br />•&nbsp;How do you know you're delivering on your promises? What mechanisms do you have in place to monitor your customer satisfaction?<br />•&nbsp;How do your customers define value? How are you making your product/service more valuable for your customers?<br />•&nbsp;Don't be afraid to have a conversation with your customers. Ask them how you can make your business better.&nbsp; Find out what is important to them.<br />•&nbsp;Is your customer base steady? Are you satisfied with your target customers or do you need to expand? How will you do it?<br />•&nbsp;What makes you different from other design professionals? How are you communicating these differences with your customers?<br />•&nbsp;Before you mass producing marketing materials, have a representative from your target audience provide honest feedback. Do not simply rely on your own judgment or the views of someone in your company.</p>
<p>Hopefully these blog entries allowed you to critically look at your business and how you communicate with your customers. The main thing to remember is to make these critical examinations a habit.&nbsp; I challenge you to continually exam the way you do business - celebrate your successes and improve the things that are not working. </p>
<p>Good luck with your important work.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Minnesota MCER</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/02/minnesota-mcer.html" />
    <id>tag:dna.designarts.net,2010://3.45</id>

    <published>2010-02-11T20:53:21Z</published>
    <updated>2010-02-11T21:04:58Z</updated>

    <summary>To renew their license, Minnesota-licensed interior designers, architects and landscape architects must have completed 24 Professional Development Hours (PDHs) during the two-year period immediately preceding each biennial renewal date, which falls on June 30 of each even-numbered year (2010, 2012, etc). Professional development may include technical, nontechnical, regulatory, ethical, and business practice content provided the education help safeguard and promote the public&apos;s health, safety and welfare. Source: Minnesota Board of Architecture, Engineering, Land Surveying, Landscape Architecture, Geoscience, and Interior Design Post comments or questions on this blog or contact Design Arts Seminars, Inc. For a list of continuing education opportunities...</summary>
    <author>
        <name>Micène Fontaine, Director</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=21</uri>
    </author>
    
        <category term="MCER" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="architects" label="architects" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ceu" label="CEU" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="continuingeducation" label="Continuing Education" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="interiordesigners" label="interior designers" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="landscapearchitects" label="landscape architects" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mcer" label="MCER" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="minnesota" label="Minnesota" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<p>To renew their license, <strong>Minnesota-licensed interior designers, architects and landscape architects </strong>must have completed <strong>24 Professional Development Hours (PDHs) </strong>during the two-year period immediately preceding each biennial renewal date, which falls on June 30 of each even-numbered year (2010, 2012, etc). Professional development may include technical, nontechnical, regulatory, ethical, and business practice content provided the education help safeguard and promote the public's health, safety and welfare.</p>
<p><strong>Source:</strong> <a href="http://www.aelslagid.state.mn.us/conted.html">Minnesota Board of Architecture, Engineering, Land Surveying, Landscape Architecture, Geoscience, and Interior Design </a></p>
<p>Post comments or questions on this blog or contact Design Arts Seminars, Inc. <br /></p>
<p>For a list of continuing education opportunities in Minnesota, please visit <a href="http://www.designartsseminars.com/courses/Event.cfm?bytState=24&amp;blnDisplayFuture=Y">Design Arts Seminars' calendar of events. </a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>]]>
        
    </content>
</entry>

<entry>
    <title>Nevada MCER </title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/02/nevada-mcer.html" />
    <id>tag:dna.designarts.net,2010://3.44</id>

    <published>2010-02-06T01:50:49Z</published>
    <updated>2010-02-24T22:17:57Z</updated>

    <summary><![CDATA[Nevada-registered achitects, interior designers and residential designers are required to complete 8 health, safety and welfare CEUs annually, of which 2 must be code-related. The Nevada continuing education requirement went into effect January 1, 2010.&nbsp; Registrants are responsible for tracking courses and maintaining supporting documentation in case of an audit.&nbsp; A CEU Tracking Log must be completed and sent with each registrant's renewal for 2011.&nbsp; Transcripts and other back-up information will not be accepted by the board, unless a registrant is audited. Source: Nevada State Board of Architecture, Interior Design and Residential Design Post comments or questions on this blog...]]></summary>
    <author>
        <name>Micène Fontaine, Director</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=21</uri>
    </author>
    
        <category term="MCER" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="architects" label="architects" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ceu" label="CEU" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="continuingeducation" label="Continuing Education" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="interiordesigners" label="interior designers" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mcer" label="MCER" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="nevada" label="Nevada" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="residentialdesigners" label="residential designers" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<p><strong>Nevada-registered achitects, interior designers and residential designers</strong> are required to complete <strong>8 health, safety and welfare CEUs annually, of which 2 must be code-related</strong>. The Nevada continuing education requirement went into effect January 1, 2010.&nbsp; </p>
<p>Registrants are responsible for tracking courses and maintaining supporting documentation in case of an audit.&nbsp; A <a href="http://nsbaidrd.state.nv.us/uploads/education/CEULog1009.pdf">CEU Tracking Log</a> must be completed and sent with each registrant's renewal for 2011.&nbsp; Transcripts and other back-up information will not be accepted by the board, unless a registrant is audited.</p>
<p><strong>Source: </strong><a href="http://nsbaidrd.state.nv.us/?page=22">Nevada State Board of Architecture, Interior Design and Residential Design</a></p>
<p>Post comments or questions on this blog or contact Design Arts Seminars, Inc. <br /></p>
<p>For a list of continuing education opportunities in Nevada, please visit <a href="http://www.designartsseminars.com/courses/Event.cfm?bytState=29&amp;blnDisplayFuture=Y">Design Arts Seminars' calendar of events. </a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>]]>
        
    </content>
</entry>

<entry>
    <title>ART IN HEALTHCARE ENVIRONMENTS</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/02/art-healthcare-environments.html" />
    <id>tag:dna.designarts.net,2010://3.42</id>

    <published>2010-02-05T19:44:43Z</published>
    <updated>2010-03-07T16:14:43Z</updated>

    <summary><![CDATA[ Most people think of art as something to be inserted into architecture.&nbsp; While art as an addition to architectural space as well as the mechanics of display are discussed in the seminar, I am interested in the dialogue between art and architecture.&nbsp; The two influence one another; art can be an integral part of architecture rather than an afterthought.&nbsp; Art and architecture are often most effective when conceived and executed jointly.&nbsp; I recently attended a lecture by Joseph Kuspan, AIA, who is the director of design at Karlsberger Architects in Columbus, Ohio.&nbsp; (www.karlsberger.com)&nbsp; The topic was the LEED platinum-level...]]></summary>
    <author>
        <name>Ira Tattelman, AIA, LEED AP</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=29</uri>
    </author>
    
        <category term="ARTworks" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<meta id="MetaDescription" name="description" content="ART to walk on, listen to, touch"><meta id="MetaKeywords" name="keywords" content="ARTworks, Design Arts Seminars"><meta id="MetaCopyright" name="copyright" content="Copyright (c) 2010 by Design Arts Seminars, Inc. "><meta id="MetaGenerator" name="generator" content="Design Arts Seminars, Inc."><meta id="MetaAuthor" name="Ira Tattelman, AIA, LEEP AP"><span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image">
<div style="TEXT-ALIGN: left"><a title="Dell's Medical Center of Central Texas, Austin, TX" href="" rel="lightbox"><img style="MARGIN: 0px 20px 20px 0px; FLOAT: left" class="mt-image-left" alt="dell.jpg" src="http://dna.designarts.net/about_us_building.jpg" width="215" height="280" /></a></div></span>
<p>Most people think of art as something to be inserted into architecture.&nbsp; While art as an addition to architectural space as well as the mechanics of display are discussed in the seminar, I am interested in the dialogue between art and architecture.&nbsp; The two influence one another; art can be an integral part of architecture rather than an afterthought.&nbsp; Art and architecture are often most effective when conceived and executed jointly.&nbsp; </p>
<p>I recently attended a lecture by Joseph Kuspan, AIA, who is the director of design at Karlsberger Architects in Columbus, Ohio.&nbsp; (<a href="http://www.karlsberger.com">www.karlsberger.com</a>)&nbsp; The topic was the LEED platinum-level hospital, Dell Children's Medical Center in Austin, Texas.&nbsp; Going "green" at the Center began with a distinct vision and commitment to significantly reduce or eliminate the negative impact of the building on the environment and on the well-being of its occupants.&nbsp; The center also made an early and strong effort to include artwork that embraces, encourages and entertains patients, their families and caregivers.&nbsp; <a href="http://www.dellchildrens.net/about_us/healing_power_of_art_and_nature" throughout?="">www.dellchildrens.net/about_us/healing_power_of_art_and_nature</a></p><a href="http://www.dellchildrens.net/about_us/healing_power_of_art_and_nature" throughout?=""></a>
<p>Throughout the hospital, artwork and sculptures grace the walls and reception areas," explains Robert Bonar, President and CEO of Dell Children's. "Since ancient times, art has been used as part of the process of healing. By providing a nurturing setting--whether it's a piece of artwork, a courtyard or other symbols--we're able to use these surroundings to join young patients' spirits, minds and health."</p>
<p>Concrete columns, left uncovered to save money on materials and maintenance, are an opportunity to embed handprints or abstract patterns.&nbsp; Courtyards and gardens represent various eco-systems as well as mazes, sundials, and ponds.&nbsp; They are an opportunity to bring daylight into the buildings and bring visual delight to the users.</p>
<p>The on-going programs continue this philosophy.&nbsp; The Austin Museum of Art works with patients in monthly activities related to a work of art exhibited in the hospital. Patients create unique works of art with AMOA staff members and volunteers. These creative projects are a positive, uplifting experience allowing children to express themselves imaginatively. </p>
<p>There is a growing body of literature demonstrating that art therapy can be effective as one of the complementary therapies used in relieving symptoms.&nbsp; The making of art is healing and life enhancing; the creative process allows awareness of an individual's deepest emotions, to cope with illness, interpret hospital stays and adapt to stressful and traumatic experiences.&nbsp; </p>
<p>The success of this architectural and art project is evident in employee retention and referrals, with patients recommending the hospital to their friends.&nbsp; People respond to environmentally conscious and visually ambitious healthcare facilities.</p>
<p>I plan to use this blog to share thoughts and findings.&nbsp; Please fee free to respond and comment.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Listen</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/02/listen.html" />
    <id>tag:dna.designarts.net,2010://3.40</id>

    <published>2010-02-05T13:00:00Z</published>
    <updated>2010-01-15T17:46:26Z</updated>

    <summary><![CDATA["Do what you do so well that they will want to see it again and bring their friends."~Walt Disney Disney's quote is the epitome of what companies should strive for: satisfied customers who do your marketing for you.&nbsp; In the meantime, you have to rely on strong marketing materials. This post will focus on how to evaluate your advertising collateral.&nbsp; One of the biggest mistakes companies make is spending money producing a marketing piece and realizing that it's too complicated or too ugly when it's too late. Hopefully, after reading this, it won't happen to you. First, find someone who...]]></summary>
    <author>
        <name>Dr. Tait Martin</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=28</uri>
    </author>
    
        <category term="Marketing / PR" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="rethink" label="re:think" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<p><strong>"Do what you do so well that they will want to see it again and bring their friends."<br /></strong>~Walt Disney</p>
<p>Disney's quote is the epitome of what companies should strive for: satisfied customers who do your marketing for you.&nbsp; In the meantime, you have to rely on strong marketing materials.</p>
<p>This post will focus on how to evaluate your advertising collateral.&nbsp; One of the biggest mistakes companies make is spending money producing a marketing piece and realizing that it's too complicated or too ugly when it's too late. Hopefully, after reading this, it won't happen to you.</p>
<p>First, find someone who represents your target audience - they'll be giving feedback on your marketing material before you mass produce it.&nbsp; The reason you want someone outside of your organization is because people on the inside often "know too much" and overlook things that may be important to your customer.&nbsp; What I like to do is offer to buy the customer a cup of coffee in exchange for honest feedback.</p>
<p>Once you have a volunteer, present them with you brochure, ad, website or other collateral and ask them the following series of questions:<br />•&nbsp;What is the main thing this is trying to tell you?&nbsp; This will give you a good initial indication if your customers will understand the goal of the piece. The key here is to LISTEN to what they say...not explain what it is supposed to mean.&nbsp; You won't be able explain it to every potential customer so the piece has to be self explanatory. <br />•&nbsp;On a scale from one to ten, how likely would you be to tell a friend or colleague about this? Who would you tell and what would you tell them? This will tell you what they think is interesting or useful about the material.<br />•&nbsp;What, if anything, do you like most about this? What, if anything, do you dislike most about this? You should be able to tell what stands out in the piece or if something is confusing.<br />•&nbsp;What seems to be missing? There will always be something missing - that's okay.&nbsp; The thing you're looking for is if there is something more important than what is already included in the piece.&nbsp; </p>
<p>Remember, it is important to LISTEN to what is being said.&nbsp; Don't take the criticism personally.&nbsp; Use the information to make your marketing material better - clearer customer communication usually translates to more business.<br /></p>]]>
        
    </content>
</entry>

<entry>
    <title>Interactive Art</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/01/the-seminar-explores-and-examines.html" />
    <id>tag:dna.designarts.net,2010://3.43</id>

    <published>2010-01-29T19:47:53Z</published>
    <updated>2010-03-07T16:15:24Z</updated>

    <summary><![CDATA[ The&nbsp;ARTworks&nbsp;seminar explores and examines the broad possibilities of engaging the end user with art and architecture - what is the dialogue created between the two, how do they affect each other, and when do the spaces and behaviors around them change.&nbsp; Divided between public and private work, the seminar finds art that engages people and the places in which they find themselves. I recently attended a talk given by Rafael Lozano-Hemmer at the Art Museum of the Americas in Washington, DC.&nbsp; Known for his large-scale interactive public art, Lozano-Hemmer uses new technologies including light, sound, video, robotics, internet and...]]></summary>
    <author>
        <name>Ira Tattelman, AIA, LEED AP</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=29</uri>
    </author>
    
        <category term="ARTworks" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<meta id="MetaDescription" name="description" content="ART to walk on, listen to, touch"><meta id="MetaKeywords" name="keywords" content="ARTworks, Design Arts Seminars"><meta id="MetaCopyright" name="copyright" content="Copyright (c) 2010 by Design Arts Seminars, Inc. "><meta id="MetaGenerator" name="generator" content="Design Arts Seminars, Inc."><meta id="MetaAuthor" name="Ira Tattelman, AIA, LEEP AP"><span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image">
<div style="TEXT-ALIGN: left"><a title="Rafael Lozano-Hemmer, " href="" rel="lightbox" Ewing.? James by Photos City. York New Park, Square Madison (2008). Park? Pulse><img style="MARGIN: 0px 20px 20px 0px; FLOAT: left" class="mt-image-left" alt="pulse_park_07s.jpg" src="http://dna.designarts.net/pulse_park_07s.jpg" width="95" height="125" /></a></div></span>
<p>The&nbsp;<b><a href="http://www.designarts.net/das163.htm">ARTworks</a></b>&nbsp;seminar explores and examines the broad possibilities of engaging the end user with art and architecture - what is the dialogue created between the two, how do they affect each other, and when do the spaces and behaviors around them change.&nbsp; Divided between public and private work, the seminar finds art that engages people and the places in which they find themselves.</p>
<p>I recently attended a talk given by Rafael Lozano-Hemmer at the Art Museum of the Americas in Washington, DC.&nbsp; Known for his large-scale interactive public art, Lozano-Hemmer uses new technologies including light, sound, video, robotics, internet and cell phones.&nbsp; The pieces are random; his responsive environments rely on input and feedback from participants.&nbsp; One cannot be a neutral observer; one's actions become part of the piece.</p>
<p>Please check out some of the videos on his site,&nbsp;<a href="http://www.lozano-hemmer.com">Lozano-Hemmer.com</a>.&nbsp; You will find projects that create intimacy in large public places, that ask the viewer to present and represent themselves onto public sites.&nbsp; Lozano-Hemmer directs a team of architects, artists, engineers and accountants to recreate communal spaces with movement, imagination and scale.&nbsp;</p>
<p>Given the prevalence of surveillance in today's cities, Lozano-Hemmer had an idea of how people might react to his work.&nbsp; In reality, people act differently than he thought; they are far more playful, acting in a theater of their own making.&nbsp; He'll have a project at the Vancouver Olympics using high powered search lights that we can all collaborate on; using the internet, each of us can design a lighting tableau, bringing the virtual world into the physical space.&nbsp; </p>
<p>Please let me know your thoughts about his projects.&nbsp; Feel free to comment on the success and failure of these projects as I introduce them.&nbsp; We can begin to discuss the value of art, to the community, to the self and to the surroundings.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Reach the people who matter </title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/01/reaching-the-people-who-matter.html" />
    <id>tag:dna.designarts.net,2010://3.39</id>

    <published>2010-01-29T13:00:00Z</published>
    <updated>2010-01-30T01:02:01Z</updated>

    <summary><![CDATA["Our life is frittered away by detail. Simplify, simplify!"~Henry David Thoreau As a marketing and strategy consultant, I'm often asked, "What's the best way to reach people? Television, radio, newspaper, trade magazines, online, word-of-mouth?" My response is always, "Go where your customers are." In my last post, I talked about defining your customer - taking the time to specifically figure out who you want to reach with your organization.&nbsp; A major aspect of knowing your customer is understanding how they get information about businesses like yours. The easiest way to find out is simply to ask them. No matter which...]]></summary>
    <author>
        <name>Dr. Tait Martin</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=28</uri>
    </author>
    
        <category term="Marketing / PR" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="rethink" label="re:think" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<p><strong>"Our life is frittered away by detail. Simplify, simplify!"<br /></strong>~Henry David Thoreau</p>
<p>As a marketing and strategy consultant, I'm often asked, "What's the best way to reach people? Television, radio, newspaper, trade magazines, online, word-of-mouth?" My response is always, "Go where your customers are."</p>
<p>In my last post, I talked about defining your customer - taking the time to specifically figure out who you want to reach with your organization.&nbsp; A major aspect of knowing your customer is understanding how they get information about businesses like yours. The easiest way to find out is simply to ask them.</p>
<p>No matter which outreach channel you choose, the key is to make sure that your "business promise" is clearly communicated in a concise and appealing manner.&nbsp; </p>
<p>Here are some tips:<br />•&nbsp;Don't try to cram too much information about your company on your marketing materials.&nbsp; Remember, if you put every bit of information about your business, there will be no need for the potential customer to contact you to find out more.<br />•&nbsp;Design is important. As design professionals, you are experts in making living and working spaces aesthetically appealing; this does not always transfer to your marketing materials.&nbsp; My suggestion is to use professional help (a graphic designer or advertising firm) to assist in clearly getting your point across. If you don't want to use a professional to help develop your marketing materials, a good resource is The Non-Designer's Design Book by Robin Williams.<br />•&nbsp;Stay away from the "Field of Dreams" approach. The 1989 movie was famous for the quote, "If you build it, they will come."&nbsp; Often, companies believe that if they put up a website or create a brochure, customers will come streaming in.&nbsp; The reality is people will often skip over your pitch if it doesn't serve their needs.&nbsp; Make your material useful - provide free design tips, give advice on properly measuring a room, or suggest simple landscaping plans.&nbsp; These additions can transform a marketing piece into a helpful tool.<br />•&nbsp;Include multiple ways to reach your company. The goal of marketing is to have a conversation with your customer - be sure you give them a way to communicate with you. </p>
<p>We're going to continue this topic next month.&nbsp; Until then, your assignment is to think about how to concisely and clearly communicate your business promise.&nbsp; <br />Until next time,</p>
<p>&nbsp;</p>]]>
        
    </content>
</entry>

<entry>
    <title>Define your Customer</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/01/defining-your-customer.html" />
    <id>tag:dna.designarts.net,2010://3.38</id>

    <published>2010-01-22T13:00:00Z</published>
    <updated>2010-01-30T01:00:42Z</updated>

    <summary><![CDATA["The aim of marketing is to know and understand the customer so well the product or service fits him and sells itself."~Peter F. Drucker In my last post, I asked you to articulate your organization's "promise" - the main reason you're in business.&nbsp; When doing this, you probably thought about your expertise, the products you offer or the specific type of service you provide.&nbsp; While this is necessary, the second step to defining your promise is to fully understand who you're trying to reach with your business. In my consulting, I've heard companies say, "I'd like to reach everyone!"&nbsp; Their...]]></summary>
    <author>
        <name>Dr. Tait Martin</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=28</uri>
    </author>
    
        <category term="Marketing / PR" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="rethink" label="re:think" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<p><strong>"The aim of marketing is to know and understand the customer so well the product or service fits him and sells itself."<br /></strong>~Peter F. Drucker</p>
<p>In my last post, I asked you to articulate your organization's "promise" - the main reason you're in business.&nbsp; When doing this, you probably thought about your expertise, the products you offer or the specific type of service you provide.&nbsp; While this is necessary, the second step to defining your promise is to fully understand who you're trying to reach with your business.</p>
<p>In my consulting, I've heard companies say, "I'd like to reach everyone!"&nbsp; Their belief that being "everything to everyone" is a good business decision often ends up being more of a problem and waste of money.&nbsp; In reality, successful organizations identify the specific 'type' of person/industry they want to reach and shape their business to meet the customers' needs.</p>
<p>Strong organizations have a specific person, or customer, in mind and build their business to cater to her/him. For example, think of Nike®.&nbsp; Who is their target customer?&nbsp; You probably own a pair of their sneakers or some of their athletic wear, but you may be surprised that you are not their target customer.&nbsp; Nike® makes it explicit that they are in the business of catering to professional athletes. That's their target audience...not causal athletes or "mall walkers."&nbsp; Nike® believes that if they can create a product that meets the needs of the professional athlete, then "regular" people will be blown away by the quality of their merchandise.&nbsp; </p>
<p>In defining your customer, and ultimately your business promise, here are the pertinent questions you need to be asking:<br />•&nbsp;Who exactly are you trying to reach with your business?&nbsp; <br />•&nbsp;What makes your customer stand out from "everyone"? <br />•&nbsp;How does your "promise" enhance the lives of your target customers?<br />•&nbsp;What are you doing to make your product/service easy for the customer to buy?</p>
<p>Once you define your customer, the next step is to never stop learning about them.&nbsp; Keep finding out more and tweak your organization to meet their needs.&nbsp; </p>
<p>Good luck as you enhance your business.&nbsp; I look forward to hearing from you soon.</p>]]>
        
    </content>
</entry>

<entry>
    <title>To open a shop is easy...</title>
    <link rel="alternate" type="text/html" href="http://dna.designarts.net/2010/01/to-open-a-shop-is-easy.html" />
    <id>tag:dna.designarts.net,2010://3.37</id>

    <published>2010-01-15T17:10:14Z</published>
    <updated>2010-01-15T17:47:56Z</updated>

    <summary><![CDATA["To open a shop is easy, to keep it open is an art" This Chinese proverb probably hits home as the economy's downturn impacts your design business.&nbsp; No matter if you're a one person shop or one of many in a large firm, the realization is that forces, often outside of your control, impact the job you do.&nbsp; But what about the things that ARE in your control?&nbsp; What are the things that can be done on a regular basis to differentiate you or your company from your competitors? I've partnered with Design Arts Seminars, Inc. to do recurring blog...]]></summary>
    <author>
        <name>Dr. Tait Martin</name>
        <uri>http://dna.designarts.net/mt-cp.cgi?__mode=view&amp;blog_id=3&amp;id=28</uri>
    </author>
    
        <category term="Marketing / PR" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="rethink" label="re:think" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://dna.designarts.net/">
        <![CDATA[<p><strong>"To open a shop is easy, to keep it open is an art"</strong></p>
<p>This Chinese proverb probably hits home as the economy's downturn impacts your design business.&nbsp; No matter if you're a one person shop or one of many in a large firm, the realization is that forces, often outside of your control, impact the job you do.&nbsp; But what about the things that ARE in your control?&nbsp; What are the things that can be done on a regular basis to differentiate you or your company from your competitors?</p>
<p>I've partnered with Design Arts Seminars, Inc. to do recurring blog posts targeting areas like marketing, communication strategy, and customer retention that can be used to make your business more productive.&nbsp; Through this blog, I'll be sharing ideas to help reach the people who matter most to you.&nbsp; </p>
<p>So, to start our journey, I want you to consider one major question: <strong>"What is your business promise?"&nbsp;</strong> For example, do you promise to be low cost? Do you promise high quality?&nbsp; Realize that if you promise something...even if the promise is implied...your customers will judge everything you do by it.&nbsp; </p>
<p>Really stop to think of how you're communicating your business promise to your customers. If you advertise that your approach is "cutting-edge" and you haven't kept up with trends or haven't attended a class in the past five years, then there's a strong chance you aren't living up to what you say you are.&nbsp; These simple disconnects in your "promise" and "what you really do" can really impact your likelihood to keep and grow your customer base.</p>
<p>Questions to ponder until next time:<br />•&nbsp;What is your business promise?<br />•&nbsp;How are you meeting your promise with your daily activities?<br />•&nbsp;What are the things you're doing that may go against your business promise?</p>
<p>I'd like to know some of the "promises" that your business makes to its customers. Please post them below. When you post, be sure to tell us how you're delivering on the promise.</p>
<p>I look forward to hearing from you.<br /></p>]]>
        
    </content>
</entry>

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